Secure syntax and moral excellence

The picture of a pot purple petunias against
a background of a yellow rose creeper
cannot be uploaded because of my slow
Internet connection. Never mind. It has
nothing to do with the blog at all.

I had an English Literature teacher in my senior years at school who deplored those who mistook “moral squeamishness for virtue”.

I am slightly amused now to think back to our seventeen year-old selves for whom the pursuit of virtue only occasionally ranked high on our list of priorities. Or perhaps I should say, a semblance of the pursuit, or embodiment, of virtue. In truth, we were more innocent than virtuous. Some of us had already shed more innocence than others, and had begun to discover the libidinous delights permeating the great Literature of our language. We experienced considerable vicarious pleasure in finding the more salacious descriptive passages in novels, and giggled at all the bawdy bits in that part of our syllabus devoted to Shakespeare.

I am also slightly amused to realise now that our Literature teacher would have been in what is rather blandly referred to as the prime of one’s life. I was fascinated at the time by the expressiveness of her hands, which in body language terms both shielded us from, and betrayed to those who were watching, her endlessly unfolding appreciation of her own sexuality.

It was the title of this blog, itself a quote from an article announcing the introduction of a new grammar and spelling test into English school’s next week, which prompted the above rambling. I suspect that this new programme is designed chiefly for beleaguered teachers to get their knickers in a twist more than they already are.

I shudder and wince as easily as the next linguist when I am confronted by many instances of language use which offend my grammatical sensibilities. I am also very much aware that I had what appears to have been a privileged education. I will also concede that the world is made up of people of many different talents and varying degrees of linguistic aptitude; not everyone is destined to become a grammar buff. I am not so worried about the shortcuts one encounters in text messages. I dislike SMS intensely because it is slow and clumsy. I assume the writers of such texts do know the full version of their abbreviated messages. This may well be naïve, but at least it keeps me calm.

The problem, however, is that what is being discussed is basic grammar. The emphasis is indeed on the adjective basic. Neither the structures involved nor the concepts themselves are complex. Attitude is everything. The chief stumbling block seems to me to be that learning these fundamental elements of the way our language is structured is hard work. Yes, it does require concentration. Yes, it does mean you cannot be distracted. Yes, it does mean doing repetitive exercises. There is no fun way to learn grammar. Or, in my experience, a particularly fun way to teach it – unless you are an inventive, enthusiastic teacher who has a penchant for thinking up really great examples which are sometimes amusing.

Depending on your perspective, grammar’s saving grace is that it may just be slightly more fun than learning how to add one half and one quarter, and finding out that 75% is a cool way to say three-quarters.  And if that is the case, then three-eighths in percentage terms will be half of 75, which is 37.5%. And if you want to know what percentage five-eighths is, all you have to do is subtract 37.5 from 100. The point of this little excursion into mental arithmetic is that no one teaches you the gymnastics part of mathematics. You discover mathematical acrobatics all on you own as a natural extension of mastering the basics.

Why is grammar more fun than fractions and percentages? Because of innate human creativity.

Once you have mastered basic grammar – and even the experts agree that even a child can do it – there are endless possibilities. These possibilities present themselves every single time you say or write something. Using the simple Subject-Verb-Object sentence structure alone, for example, you can write poems. Try it! This is a liberating experience in a way that knowing five-eighths has the same value as 62.5% never can be.

Mathematics and grammar share a common attribute: Both have structure. Structure is not a scary word. It is a beautiful word which gives rise to all manner of architectural wonders from Gothic cathedrals to cantilevered bridges, to shopping malls, for Pete’s sake. When grammar – or syntax – and mathematics come together, what you get is computer programming.  I view this as a positive outcome, don’t you?

Although the neurolinguistic debate (centred on the nature/nurture argument) still rages on, one thing is clear to me, and it is this:  Like getting to grips with basic mathemathics, understanding the grammar – or structure – of any language is, barring disability, entirely possible for everyone precisely because it is based on the constructs of the human mind.

Grammar is nothing more than a set of more or less agreed conventions designed to make communication with each other easier.

This is why I am not overly fond of prescriptivists who never boldly go beyond the pale. (I thought some of you might like the mish-mash of metaphors in that last sentence.) In modern-speak, prescriptivists are the grammar police who are too busy complaining about the mistakes others make – whether in haste or for want of a decent education – to realise that it is they themselves who unwittingly give grammar a bad name. To quote from the article:

Grammar is connected to values in people’s minds. “Grammar peevers” in projects such as the Apostrophe Protection Society see “a connection between secure syntax and moral excellence”, Hitchings argues. “There’s a feeling that if we can maintain grammatical order we can maintain other kinds of order.”

These are the people who equate moral squeamishness with virtue. These are the people who never read the juiciest bits in the classics and everything else since, or indulge in the glorious poetry of it all. They are too busy finding fault. These are the people who would rather remove a misplaced apostrophe from the plural of the word apple, instead of biting into that apple and drooling over its sweetness. No reference to the Garden of Eden is intended. I just like apples. Fig leaves, not so much.

Ironically, these are the very people who might make it possible for today’s children not only to have a choice as to how they express themselves, but also to enjoy a bloody good read to boot!

Allison

P.S.
There will have to be a Part II to this blog, possibly dealing with the translation aspect of this phenomenon, and other aspects which worry very few people. The few who do worry, however, worry a lot. In the meantime, perhaps you would like to ponder this: “Should grammar lessons be compulsory for our nation’s future apple sellers?”

Proliferation

How I feel when I put stuff on the Internet – 20px – Twenty Pixels.

I used to have a small walled garden leading off a wide thatched verandah which my partner christened the “inner sanctum”, and the name stuck.
Each gardening decision was taken meditatively.
This is not to say that it did not entail hard physical labour; it did.
It simply means that I would gaze at the garden for many an hour before I worked in it.
Once the work was done and tools cleaned and put away, I would sit once again and meditate in wonder at the work in progress.
I could see the result of my labour; tangible, living evidence of a creative spirit.
An outer reflection of my inner being, lovingly tended, flourished.

A garden in the making.

A garden in the making.

As a translator, I am a producer of texts.
In the old days, this meant stacks and stacks of neatly collated wads of paper in serially numbered archived boxes and a sturdy pre-archive filing cabinet.
Now, much of what I produce ends up on the Internet.
Even though I know the real repository is likely to be one of several huge data banks at various geographical locations on the planet, I still imagine the Internet as being “in the sky”.
This is a liberating thought, so aptly expressed is this cartoon.
Only, my bits of paper would have scribblings on them.

Allison

Beethoven’s Fifth

I have been most remiss in sharing my monthly indulgence in Doug Savage’s delightful Savage Chickens.

You may contend that there is more to life than chickens, savage or otherwise. And you would be quite right. With all the recent furore over horses galloping into ready-made lasagna, I thought it best to keep my head down and not mention that I cannot ride a horse, but in compensation, I have been blessed with amazing home-made lasagna capabilities, last exercised in grand scale six years ago on the occasion of my partner’s 50th birthday. This time around we had take-away curry. Our pudding – a famous brand name on a stick covered with chocolate of near-orgasmic properties – was consumed first, which is our way of repeatedly disproving the theory that if you have too many sweet things beforehand, you will not be able to finish your lunch.

Having revealed all of the above in a brisk canter, you will not be surprised to learn that ours is a household which views bananas in a favourable light. We also eat them. In his The Phenomenology of Perception, Merleau-Ponty writes as some length and in great analytic detail about why we find watching someone trip and fall funny. Given my habit of picking on a tiny detail from large, heavy books, I shall leave to you to find the actual passage to which I refer.

Having rearranged my neural connections long after the end of my childhood to accept a two-course meal which starts with pudding as normal behaviour, you will forgive me if I have wrongly remembered Monsieur Merleau-Ponty using the image of someone tripping on a step as his example of something considered universally funny. Obviously, the very idea of suggesting that someone slipping on a banana peel and falling flat on their fan was not only intrinsically but extrinsically beneath him.

Going for a ride.

Going for a ride.

Doug Savage, on the other hand, does what few have done: Not only has he outstripped Merleau-Ponty by illustrating the same principle using the noble banana, he has also successfully anthrophomorphised this same fruit by giving it the power of speech. He takes the humour (and this time, the joke is on us, folks) one step further by having us accept as entirely routine the highly improbable notion of a grand piano falling from the sky and accurately hitting its target too – in this case, our beloved, but not very perspicacious, savage chicken, who starts out the day singing.

Is this a shameless borrowing from an advertisement featuring George Clooney and a do-it-yourself espresso product?  I think not: Note the careful juxtaposition of the piano leg and chicken leg. Pure art.

OK, you can simply laugh at the cartoon, and like my post, if you like.

Allison

Pathways

The first time I saw dynamic graphic representations of neural pathways in our brains on a television documentary, I understood immediately why physical pathways – and where they might lead – fascinate.

This afternoon while a friend was waiting to see the doctor in Loulé, I went in search of a shop with the intention of purchasing two fairly contradictory things: weed killer and potting soil.

What I found was quite different.

A reconnection with the old, the dilapidated, yet still proud:

The distinction between the merely old and what constitutes a ruin is somewhat blurred in the centre of Loulé, Portugal.

The distinction between the merely old and what constitutes a ruin is somewhat blurred in the centre of Loulé, Portugal.

Walking often reveals more than being in a car. I have always enjoyed walking as a means to explore two things at once; the immediate physical environment, and whatever is going on inside me.

In this next photo, I do not believe it was entirely my imagination which felt the weight of all the people in the past who walked this road, and lived here. Some still do, although behind closed doors, for the most part, on this greyish day.

Most of these houses are still inhabited.

Most of these houses are still inhabited.

The cobblestones are uneven. The road is not flat, but forms a V, with an off-centre paved groove to allow for water runoff. At the end of the road there is an old woman talking with two men. They correctly take me for a stranger at about two hundred paces. I am blissfully ignored.

The grasses and weeds growing in these old walls is a feature of this time of year. Most of them die back by the end of spring.

The grasses and weeds growing in these old walls is a feature of this time of year. Most of them die back by the end of spring.

I come back to the hospital after walking just one block from this street to the main street of Loulé. My friend and I, as is our wont, decide to go by car to a specific café to have coffee, only to find it closed on this Saturday afternoon. We agree on the next best one, and laugh together, imagining how her sister would think us so crazy to go to such lengths for just one cup of espresso and a small cake. In mock gravity, we agree that matters of such importance require careful consideration and need to be executed with particular precision.

On the way home, we stop at an old convent (Convento de Santo António – Convent of Saint Anthony) in the hopes that an exhibition we both wanted to see is still open. The exhibition is finished, and a musical concert is about to begin. It is a wonderful building, with high rounded arches and a sense of glory somewhat incongruous with the modest crowd now assembling. I have time to explore, and through a glass door bedecked with raindrops, take pictures of the former cloisters.

I always fancied living in an abode with cloisters such as these, yet the desire was never strong enough to get me to a nunnery. Besides, I doubt there is any nunnery which would accept one such as I.

Who could resist an armchair with a good book in such a setting? And a well-behaved puppy or two....

Who could resist an armchair with a good book in such a setting? And a well-behaved puppy or two….

I am so taken with this space, and frustrated that I cannot gain entry.

The strange body of light is caused by my camera flash, but its effect is pleasing nonetheless.

The strange body of light is caused by my camera flash, but its effect is pleasing nonetheless.

In many cities in Portugal, even Lisbon, there are green spaces with roads going seemingly nowhere which simply refuse to be erased.

Picture postcard, 5.00 p.m.

Picture postcard, 5.00 p.m.

Here, at this spot, nothing is set in stone.

Allison